壓縮空間的不同程度，形成浮雕的二種基本形態(tài)--高浮雕和低浮雕。下面山東浮雕雕塑廠家為您講解下。

Compress the different degrees of space to form two basic forms of relief - high relief and low relief. Next, Shandong relief sculpture manufacturer will explain it to you.

高浮雕由于起位較高、較厚，形體壓縮程度較小，因此其空間構(gòu)造和塑造特征更接近于圓雕，甚部分局部處理完全采用圓雕的處理方式。高浮雕往往利用三維形體的空間起伏或夸張?zhí)幚?，形成濃縮的空間深度感和強(qiáng)烈的視覺沖擊力，使浮雕藝術(shù)對(duì)于形象的塑造具有一種特別的表現(xiàn)力和魅力。

Because of its high rise, thick height and small degree of body compression, the space structure and molding features of high relief are more similar to those of circular sculpture, and even some parts are completely processed by circular sculpture. High relief often makes use of the spatial undulation or exaggeration of three-dimensional bodies to form a concentrated sense of spatial depth and strong visual impact, which makes the relief art have a special expressive force and charm for the shaping of images.

淺浮雕起位較低，形體壓縮較大，平面感較強(qiáng)，更大程度地接近于繪畫形式。它主要不是靠實(shí)體性空間來營(yíng)造空間效果，而更多地利用繪畫的描繪手法或透視、錯(cuò)覺等處理方式來造成較抽象的壓縮空間，這有利于加強(qiáng)浮雕適合于載體的依附性。

Shallow relief has a low rise, a large body compression, a strong sense of flatness, and is closer to the painting form to a greater extent. It mainly does not rely on the physical space to create space effects, but more uses painting techniques or perspective, illusion and other processing methods to create more abstract compression space, which is conducive to strengthening the dependency of relief suitable for the carrier.

浮雕空間壓縮程度的選擇，通常要考慮表現(xiàn)對(duì)象的功能、主題、環(huán)境位置和光線等因素，其中環(huán)境與光線因素起著決定性作用。優(yōu)良的雕塑家總能很好地處理這些關(guān)系，從而使作品達(dá)到良好的視覺效果。

The selection of the compression degree of relief space usually takes into account the function, theme, environmental location, light and other factors of the performance object, among which the environmental and light factors play a decisive role. Good sculptors can always handle these relationships well, so that the works can achieve good visual effects.

在充分表達(dá)審美思想情感的基本創(chuàng)作原則之下，浮雕的不同形態(tài)各有藝術(shù)品格上的側(cè)重或表現(xiàn)的適應(yīng)性。一般地說，高浮雕較大的空間深度和較強(qiáng)的可塑性，賦予其情感表達(dá)形式以莊重、沉穩(wěn)、嚴(yán)肅、渾厚的效果和恢弘的氣勢(shì);淺浮雕則以行云流水般涌動(dòng)的繪畫性線條和多視點(diǎn)切入的平面性構(gòu)圖，傳遞著輕音樂般的平和情調(diào)和抒情詩(shī)般的浪漫柔情。

Under the basic creative principle of fully expressing aesthetic thoughts and feelings, different forms of relief have their own emphasis on the style of art or adaptability of performance. Generally speaking, the greater space depth and stronger plasticity of high relief endow its emotional expression form with solemn, calm, serious, vigorous effect and grand momentum; Shallow reliefs convey the gentle mood like light music and the romantic tenderness like lyric poetry by using the painting lines flowing like clouds and flowing water and the planar composition cut in from multiple perspectives.

雕塑藝術(shù)的發(fā)展使圓雕日益強(qiáng)化了它的相對(duì)獨(dú)立性，相比之下，浮雕雖然更多地受制于一種依存關(guān)系，其獨(dú)特的表現(xiàn)特質(zhì)和豐富的雕塑性造型手段仍是其它藝術(shù)形式無法替代的。您有什么想咨詢的內(nèi)容可以來我們網(wǎng)站http://www.nyqaac.com進(jìn)行了解！

The development of sculpture art has increasingly strengthened its relative independence. In contrast, although relief is more subject to a dependency relationship, its unique performance characteristics and rich sculptural modeling means are still irreplaceable by other art forms. You can come to our website for any information you want to consult http://www.nyqaac.com Get to know!